This is the first publication to focus entirely on the sumi ink paintings of American-New Zealand artist Max Gimblett (born 1935). Known for his work with the quatrefoil shape, Gimlett paints on canvas, wood panel and exquisite papers. With a detailed philosophical essay by Tom Huhn (Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant) and a forward by Eric Shiner, Director of the Warhol Museum, Pittsburg (Andy Warhol / Ai Weiwei). Published by Charta, Milan.
