Gimblett’s paintings are a harmonious, postmodern synthesis of American and Japanese art. Often working on shaped panels or canvases — tondos, ovals, and his signature four-lobed quatrefoil — he marries Abstract Expressionism, Modernism and Spiritual Abstraction with mysticism and traditions of Asian calligraphy. Gimblett’s paintings are defined by masterful brushwork combined with an eccentric and sophisticated color sense, and finished with sensuously glossy surfaces. They frequently incorporate gilding in precious metals — a nod to alchemy, the Presbyterian Church of Scotland (in which he was raised) and Japanese lacquerware, ceramics, and temple art.